![]() The more affordable Studio Edition offers fewer of the high-end whistles and bells (see for more details), although it's still a very creditable package in its own right. It's worth mentioning that many of the new gadgets and features described here are exclusive to the Producer Edition of Sonar 5. It's still recognisably the same application as Sonar 4, though: this is a case of enlargement rather than reinvention, if you see what I mean. Sonar 8 producer edition review software#Restricting myself to the answerable questions, I can tell you that among the key new features of Sonar 5 are a collection of software instruments (synths, a Soundfont sampler, a REX file player), a new convolution reverb, updated MIDI effects plug-ins, a new 64-bit 'double precision' floating-point audio engine, support for 64-bit processor architecture and operating systems, the integration of Roland's Variphrase vocal processing technology, enhanced MIDI step recording, and a range of minor user-interface refinements. ![]() Where did the time go? What further developments will the intervening months have brought? Where will it all end? What, he wondered, might have happened to justify such a bold and rapid whole-number increment? Now, less than a year later, I find myself faced with Cakewalk Sonar 5. ![]() Less than a year ago, in these very pages, Derek Johnson began his review of Cakewalk's Sonar 4 with the observation that less than a year had elapsed since the release of Sonar 3. The new version 5 sees Cakewalk's Sonar becoming a more complete production package than ever, with the addition of new synths, a convolution reverb, 64-bit support and Roland's celebrated Variphrase vocal processing technology.
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